Journal of the stylistic of Persian poem and prose
volume Number 13، number In Volume 9، Desember 2020 ، issue Number 55

The stylistics of "Fih Ma Fih" and "Majales Sabe" by Maulana (Literally; allegorical comparison)

Marjan Ali Akbarzade Zehtab (Author in Charge)

Abstract

Allegory, which has found a special place in educational and mystical literature by applying mental concepts, can also be studied from a stylistic point of view as one of the poetic industries at the literary level. Tangible examples are a quick and convenient way to understand moral teachings and mystical ideas. Among the Persian mystics, Maulana has taken the lead in mystical allegories. In the Masnavi Manavi, Fih Ma Fih, Majales Sabe and Makatib of thought have adorned themselves with the adornment of allegory in order to bring the deep mystical concepts closer to the minds of the audience and mystics. In the present study, using the library method, analytical-descriptive methods with the help of exemplary evidence and finally presenting the table to examine the concepts and structure of mystical allegories, two books "Fih Ma Fih" and "Majales Sabe" have been discussed. It is also answered in the question, "In the allegories of these two books, what is the connection between the elements of the allegory, that is, what is the example with the parable?" The semantic domains of allegory are located at three levels: theology, anthropology, and ontology. Anthropology has the highest frequency, and the subject of mysticism and knowledge includes the highest frequency.

Keyword
Maulana , Allegory , Fih Ma Fih , Majales Sabe

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